New Works

c3 Contemporary Art Space – current exhibitions
Abbotsford Convent, 1 St Heliers St Abbotsford
Open 10.00AM-5.00PM Wednesday to Sunday (closed Monday and Tuesday).
Closed June 12.

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c3 Contemporary Art Space, Abbotsford

NESTLED in the under-story of the old convent in Abbotsford’s art precinct on the Yarra, c3 Contemporary Art Space has been a showcase for emerging artists for more than eight years. Currently, six artists are on show, presenting a veritable cornucopia of  different ideas, views, thoughts, objectives and interests. Culture, place, history and experience all provide a wealth of opportunity for artistic expression. Continue reading

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A New Caravaggio – or not….

 

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Caravaggio (unverified) Judith beheading Holofernes c.1604, Discovered in Toulouse, 2014.

IN recent days, news of the discovery of a painting by Caravaggio has occupied and divided arts writers and critics, world-wide. Apparently disinterred in 2014 from the roof of a house in Toulouse, France, Judith beheading Holofernes (c.1604) has been subjected to scrutiny by a number of experts, not all of whom believe the work to be genuine. Continue reading

Between here and there

APW FitzroyCarolyn Hawkins, Sophie Westerman and Kasia Fabijańska
Australian Print Workshop, 210 Gertrude Street Fitzroy.
Closed March 24.

A STORY of threes weaves through this exhibition of 35 works by three talented and capable artists working their chosen mediums. All were scholarship recipients in 2015 – this is the fruit of their work while engaged in those scholarships, awarded through the Australian Print Workshop’s program of support for emerging artists. Continue reading

Why Ai Weiwei is not Andy Warhol

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Andy Warhol

BY THE early 1980s, Warhol was not an artist in critical favour. The art world had moved on from the Pop Art and Minimalist sensibility of the 1960s and ’70s and was looking for new commentary on a western world that was changing rapidly. Warhol’s ‘art about nothing’ no longer reflected the spirit of the time or place – the zeitgeist – to use the noun of the moment. Robert Hughes, an art critic widely respected for his insight and critical rigour, wrote in The New York Review of Books in February 1982 that ‘…Warhol’s output for the last decade has been concerned more with the smooth development of product than with any discernible insights….  It scarcely matters what Warhol paints; for his clientele, only the signature is fully visible.’ Continue reading