Basil Sellers Art Prize 5
The Ian Potter Museum of Art
The University of Melbourne
Swanston Street (Between Faraday & Elgin Streets)
Closed November 6, 2016.
Grant Hobson: Konibba Roosters 1906 to 2016, (2016). 29 panels; 95 X 80cm and 75 X 57cm (approx.), Inkjet digital print on aluminium composite, steel nails and laserjet prints on paper © Grant Hobson, all rights reserved.
‘ART is not sport’ – said Degas, disdainfully, to the son of one of his best friends who insisted on tramping around the countryside, easel and paintbox at the ready, intent on capturing and subjugating the landscape, like a hunter, in colour and form on canvas. Degas was of the view that creating images was mental exercise, not physical; an activity more about taking time to craft and refine an initial idea, rather than respond to a ball or target dangling in front of one’s eyes. Art, above all was definitely not a race for Degas. If such was the case, he’d finish stone motherless last in any speed painting competition; Monet would murder him every time. Continue reading
GOING to London? Great. Art is a must-see for the traveler to the heart of the new capitol of nearly-but-not-quite Europe. So much to see though and probably so little time. The biggies include the National Gallery in Trafalgar Square, the National Portrait Gallery just around the corner in St Martin’s Place, Tate Britain at Millbank and the Tate Modern on Southwark, the Courtauld Gallery off the Strand, the Victoria and Albert Museum in South Kensington and the summer show at the Royal Academy (RA) in Piccadilly (opposite Fortnum and Mason) Continue reading
Edgar Degas: Frieze of Dancers, 1895. Oil on canvas. Cleveland Museum of Art.
IN SIX weeks, the National Gallery of Victoria International opens its latest Winter Masterpieces exhibition, Degas, a New Vision. Works have been drawn from collections across the globe and, in the words of the NGVI’s press office, offer a ‘fresh and dynamic reappraisal of this legendary artist’s genius.’ Continue reading