Arguably the most famous image in all of Japanese art, this iconic woodblock print depicts a huge, frothing wave
GOING to London? Great. Art is a must-see for the traveler to the heart of the new capitol of nearly-but-not-quite Europe. The biggies include the National Gallery in Trafalgar Square, the National Portrait Gallery just around the corner, Tate Britain at Millbank and the Tate Modern on Southwark and the summer show at the Royal Academy. But there’s more! Much, much more.
What you see is not always what you get- and sometimes what you create for yourself can have wider meaning and deeper influence and importance.
IN SIX weeks, the National Gallery of Victoria International opens its latest Winter Masterpieces exhibition, Degas, a New Vision. Works have been drawn from collections across the globe and, in the words of the NGVI’s press office, offer a ‘fresh and dynamic reappraisal of this legendary artist’s genius.’
A lot is riding on whether the work is genuine, including professional reputations, art world cred and of course, lots of money. But before the experts get busy, I’d recommend those charged with the responsibility of saving reputation and generating income just take another, good, long look at the thing, first. Why? ‘Something’, as Miss Clavel was oft to say, ‘is not quite right’.